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  • Film

Work It: Video Art on Club Culture

Tue, Mar 26, 2024
    Part of
  • BAM Film 2024
  • and
  • Triple Canopy Presents: Standard Deviations

Nightlife has long been thought of as a zone of ecstasy and transcendence—a realm where the individual disappears into the collective and the protocols of the nine-to-five world are suspended. Filmmakers and artists often celebrate the edgy expressions and lifestyles born on the dance floor, but the nightclub has also emerged as a symbol of the rampant commercialization of experiences that, with the right vibes and substances, may seem impossible to represent, let alone sell. This program brings the party—and the hangover—to the big screen with a selection of videos that thoughtfully consider the club as a site of pleasure, communion, and criticism. Typically presented in a gallery setting, these artworks conjure dance-floor euphoria while examining how such scenes feed into identities and ideologies.

 


 


SM BNGRZ 1, 2, and 3 (2021)
Dir. Tony Cokes
62min


“What more extreme refusal of all of metaphysics’ priorities can we imagine than a rave?” So reads one of the quotes that populate Cokes’s series of videos on the utopian promise (and mediatization) of club music. Cokes’s videos present a range of excerpts from writings on club culture in bright, contrasting colors, to a soundtrack of high-energy house music—an evocation of nightlife that serves as both experience and criticism.



 

19:30 (2011)
Dir. Aleksandra Domanovic
11min

In the Yugoslavia of Domanovic’s youth, 19:30 was the hour of the nightly news, when viewers across the country would simultaneously pause to tune in. The daily rhythm established by the broadcast was a form of social programming—one that transformed with the decline of the state and fracturing of the population. For “19:30”, Domanovic asked DJs to remix a collection of “idents,” the branded audiovisual sequences that preceded the news, which she gathered from capitals across the former Yugoslavia.

 

 

Club Stahlbad (2023)
Dir. Total Refusal
4min

An excerpt from Club Stahlbad, an installation by the self-proclaimed “pseudo-Marxist media guerilla collective” Total Refusal. The video centers on the stiff, artificial expressions of non playable characters, which give way to ecstatic fervor as their dance moves are best by glitches.


 

Fiorucci made me Hardcore (1999)
Dir. Mark Leckey
15min

Leckey’s classic video montage brings together footage of underground UK dance scenes from the 70s, 80s, and 90s, charting the transition from disco to Northern Soul to rave music. Leckey visualizes the links between regional styles and dance moves, while emphasizing the particularities of forgotten scenes.

 

UPCOMING Screenings

      RUNNING TIME

      92min

      VENUE

      Peter Jay Sharp Building
      BAM Rose Cinemas

      FORMAT

      Digital

      TICKET INFORMATION

      General Admission: $16
      Members: $8
      Please note: A $1.50 processing fee per ticket will be added to your order

      Leadership support for
      BAM Access Programs provided by
      the Jerome L. Greene Foundation

      JL Greene

      Leadership support for
      BAM Film provided by
      the Ford Foundation and
      The Thompson Family Foundation

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